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Cake day: June 14th, 2023

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  • While it’s true that linear algebra and vectors are used in learning models, they’re not using the term correctly in a way that says they know something about the subject (at least, the modern subject). Concepts aren’t embedded as vectors. In older models (before the craze), concepts were manually embedded as numbers or a collection of numbers, which could be a vector (but could be something else as well), and the machine would learn by modifying weights. However, in current models (and by current, I mean at least more than a couple years), concepts are learnt by the machine (weights are still modified by the machine as well) and the machine makes its own connections between features presented to it.

    For example, you give it a dataset of 10x10 pixel images (with text descriptions) and it reads that as 100 pixels split into 3 numbers (RGB) and then looks for connections between those numbers and in which pixels. It’s not identifying what a boob is, but knows that when an image has ‘boob’ in the text description then there’s a very high likelihood that there will be a circular collection of pixels with lots of red somewhere in the image that are also connected to other pixels that are often also lots of red. That’s me breaking down what a human would think given the same task/information, but the reality is the machine will come up with its own connections/concepts which are both often far better than humans (when the model works, at least) and far more ineffable to humans.








  • People dismiss AI art because they (correctly) see that it requires zero skill to make compared to actual art, and it has all the novelty of a block of Velveeta.

    I look at art because I find it pretty, not because someone toiled over it for hours on end. Sure, I respect the artist who made it and think their effort commendable, certainly worth a sum of money, but if something is made such that the art of the craft requires less skill and time surely that is a good thing?

    Novelty of the tool doesn’t matter. What’s new changes daily, and the point of a tool is not to be new but to be useful.
    If you mean the art itself that is generated being samey or problematic in that sense of non-uniqueness, I disagree wholeheartedly. You can do a lot with learning models, and the sameness people perceive is from inexperienced novices dipping their hands in and flooding the ecosystem with beginner works, in much the same way DeviantArt was once flooded with drawings on the level of stick figures and box people.

    If AI is no more a tool than Photoshop, go and make something in GIMP, or photoshop, or any of the dozens of drawing/art programs, from scratch. I’ll wait.

    A hammer is a tool, and so is an electric jackhammer. You don’t tell a construction worker to go use a hammer when an electric jackhammer gets the job done far better and far more efficiently, and not everyone is suited to using a hammer just as not everyone is suited to using an electric jackhammer. They also have different purposes, but certainly the electric jackhammer did replace some of the uses the hammer once had, but it doesn’t make the hammer obsolete. I view learning models that generate art in the same manner as an electric jackhammer. Useful and powerful, but ultimately lacking in refinement and the work will certainly need other tools to finish the job.

    This phrase of yours just doesn’t mean much. I don’t see how making something in GIMP proves anything for anyone?


  • Humans certainly don’t make new things out of nothing. They also take from different sources and combine them together to make something new, whether that’s direct inspiration or on a more abstract level through the brain.

    Learning models aren’t generating art any more than GIMP or Photoshop is. It’s the person behind the tool that makes the art, not the tool. There’s certainly an art to prompt smithing.

    I feel like a lot of people dismiss generated art simply because it’s new (and because as a byproduct is spits out dozens of junk pieces before getting anywhere good). I don’t see how it’s that different from someone using photo-editing software built with dozens of algorithms instead of a ‘pure’ drawing pad, or someone using a drawing pad instead of a pencil, or someone using a pencil instead of chalk. It’s a tool, and a great one at that in comparison to many digital tools for artists.


  • It’s to keep design space open and to minimize developer work.

    Let’s say we decide to keep an overperforming gun. It does all the things. It has all the ammo, all the damage, all fire rate, all the reload speed. Now, all future weapons have to be made with that as a consideration. Why would players choose this new weapon, when there’s the old overperformer? The design space is being controlled and minimized by the overperformer. Players will complain if new weapons aren’t on the level of the overperformer.

    Now, let’s say we have ten weapons with one clear overperformer. Now, we can either nerf a single weapon to bring it in line with the others, or buff nine weapons to attempt to bring them up to the level of the overperformer. Assuming the balance adjustments of each weapon are the same amount of work, that’s 9x the effort. However, if we assume we do this extra work to satisfy players, now we have ten overperforming guns and players find the game too easy, so now we also have to buff enemies to match. However, the game isn’t designed to handle these increase in difficulty. Players complain if we just add more health to enemies, so we have to do other things like increase enemy count, but adding more enemies increases performance issues. It’s a cascading problem.

    I consider nerfs a necessary evil. It’s absurd to ask developers to always buff weapons and give them so much work when they could be developing actual additions to the game. Sometimes, a weapon really does need a nerf.


  • The_Vampire@lemmy.worldtoMemes@lemmy.ml6÷2(1+2)
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    2 years ago

    At this point you’re just ignoring whatever I say and I see no point in continuing this discussion. You haven’t responded to what I’ve said, you’ve just stated I’m wrong and to trust you on that because somewhere prior you said so. Good luck with convincing anyone that way.


  • The_Vampire@lemmy.worldtoMemes@lemmy.ml6÷2(1+2)
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    2 years ago

    You didn’t have to go looking - you could’ve just accepted it at face-value like other people do.

    I could also walk off a cliff, doesn’t mean I should. Sources are important not just for what they say but how they say it, where they say it, and why they say it.

    But they’re not. The other side is contradicting the rules of Maths. In a Maths test it would be marked as wrong. You can’t go into a Maths test and write “this is ambiguous” as an answer to a question.

    …amongst people who have forgotten the rules of Maths. The Maths itself is never ambiguous (which is the claim many of them are making - that the Maths expression itself is ambiguous. In fact the article under discussion here makes that exact claim - that it’s written in an ambiguous way. No it isn’t! It’s written in the standard mathematical way, as per what is taught from textbooks). It’s like saying “I’ve forgotten the combination to my safe, and I’ve been unable to work it out, therefore the combination must be ambiguous”.

    The side which obeys the rules of Maths is correct and the side which disobeys the rules of Maths is incorrect. That’s why the rules of Maths exist in the first place - only 1 answer can be correct (“ambiguity” people also keep claiming “both answers are correct”. Nope, one is correct and one is wrong).

    Yes, that is your claim which you have yet to prove. You keep reiterating your point as if it is established fact, but you haven’t established it. That’s the whole argument.

    Twice I said things about it and you said you didn’t believe my interpretation is correct, so I asked you what you think he’s saying. I’m not going to go round in circles with you just disagreeing with everything I say about it - just say what YOU think he says.

    Literally just give me a direct quote. If you’re using it as supporting evidence, tell me how it supports you. If you can’t even do that, it’s not supporting evidence. I don’t know why you want me to analyze it, you’re the one who presented it as evidence. My analysis is irrelevant.

    Thank you. I just commented to someone else last night, who had noticed the same thing, I am so tired of people quoting University people - this topic is NOT TAUGHT at university! It’s taught by high school teachers (I’ve taught this topic many times - I’m tutoring a student in it right now). Paradoxically, the first Youtube I saw to get it correct (in fact still the only one I’ve seen get it correct) was by a gamer! 😂 He took the algebra approach. i.e. rewrite this as 6/2a where a=1+2 (which I’ve also used before too. In fact I did an algebraic proof of it).

    I was being sarcastic. If you truly think highschool teachers who require almost no training in comparison to a Phd are more qualified… I have no interest in continuing this discussion. That’s simply absurd, professors study every part of mathematics (in aggregate), including the ‘highschool’ math, and are far more qualified than any highschool teacher who is not a Phd. This is true of any discipline taught in highschool, a physics professor is much better at understanding and detailing the minutiae of physics than a highschool physics teacher. To say a teacher knows more than someone who has literally spent years of their life studying and expanding the field when all the teacher has to do is teach the same (or similar) curriculum each and every year is… insane–especially when you’ve been holding up math textbooks as the ultimate solution and so, so many of them are written by professors.

    I want to point out that your only two sources, both a screenshot of a textbook, (yes, those are your only sources. You’ve given 4, but one I’ve repeatedly asked about and you’ve refused to point out a direct quote that provides support for your argument, another I dismissed earlier and I assume you accepted that seeing as you did not respond to that point) does not state the reasoning behind its conclusion. To me that’s far worse than a professor who at least says why they’ve done something.

    I’ve given 3 sources, all of which you dismiss simply because they’re not highschool textbooks… y’know, textbooks notorious for over-simplifying things and not giving the logic behind the answer. I could probably find some highschool textbooks that support weak juxtaposition if I searched, but again that’s a waste of money and time. You don’t seem keen on acknowledging any sort of ambiguity here and constantly state it goes against the rules of math, without ever providing a source that explains these rules and how they work so as to prove only strong juxtaposition makes sense/works. If you’re really so confident in strong juxtaposition being the only way mathematically, I expect you to have a mathematical proof for why weak juxtaposition would never work, one that has no flaws. Otherwise, at best you have a hypothesis.