The nostalgia is the point. Nobody stores crackers in barrels anymore, but everybody did then because it was the best option at the time. Same reason the save icon is a floppy disk.

I’d ask a couple thousand people to guess in private. So the most popular answer would probably be either surprisingly close to correct or Cuppy McHazelnutface.

To be fair, nothing on the face of this box indicates any relation to chocolate anyway, except the company brand by implication. My only other clue as an outsider was that the wording “Dairy Milk” was just a little too weird to be taken at face value.

The point is that those are 2 separate and distinct units. I’m not saying it’s not a valid representation of time. I’m say the units in this case are actually hours and minutes, not only hours. It is compounded by the fact that the title is talking about time in a way that is ultimately also a ratio (something a colon is also used to represent), the ratio of hours on the device to the hours in a day. There were many other ways to represent this data that would have been less ambiguous, more clearly showing real differences at a glance, and paying attention to using more appropriate significant digits.

This place should be called mapshitposting for how often actual map enthusiasts get voted down for pointing out amateur mapping and statistical blunders here.

Wait till they hear about the people farming, harvesting, and shipping the vegetables.

Are these ratios of hours online in a day (3:11 implies 3 out of 11 hours) online per day? That seems unlikely given how difficult comparisons like that would be to make.

That leaves the other option that these “hours” are actually hours and minutes (hours:minutes). But, that option is almost as bad simply because then the map subtitle has lied to us through omission in not mentioning minutes.

This map should have either just shown the number of total minutes or shown the hours in decimal rounded to a sane number of significant digits. Making a distinction of a minute or three amongst such broadly general averages of almost certainly guesstimated numbers self reported in a survey seems a poor choice.

Primates make tools to help eating ants, among other things. It’s a bit of an unusual snack, but people eat ants too. We are anteaters? How much of your diet needs to be ants before you’re considered an anteater?

Not to be confused with disco snails.

I always keep a few episodes of the various Pod Castle, Escape Pod, etc. short fiction podcasts loaded up for those times I’m stuck on a trip and between books.

Have you never actually seen a crosswalk before? Because I’m having trouble figuring out which part of these rainbow flag colored crosswalks makes them look any less like a crosswalk or makes them less visible or recognizable in any way. Literally the only other pavement marking that comes anywhere near looking like or being placed in the same way on a road is a stop bar. And guess what, car drivers routinely mistake the plain crosswalks for stop bars, thereby blocking the crosswalk. Making the claim that painting a pedestrian crosswalk in bright colors somehow makes them less visible or recognizable has got to be the dumbest argument I’ve heard this week.

A fucking Members Only pizza.

1979: Ridley Scott directs “Alien”.

1981: James Cameron works as a production designer on a Roger Corman “cash-in” of Alien called “Galaxy of Terror”. It’s mostly awful (mostly due to the giant maggot rape scene), but some of the production design is WAY better than anything in this movie has any right to be.

1986: James Cameron directs “Aliens”.

I’m using the release years here as opposed to production for simplicity, but Aliens is really just a cash-in of a cash-in of Alien.

It’ll destroy all your painstakingly crafted and curated ID3 tags much faster than Picard. I’m not salty or anything. Anyway, the lesson for me was that music is simply too complicated from a library perspective to trust to highly-automated tools like beets. Picard kind of encourages you to go directory by directory and release by release, and that is a good thing. These days so are does most of the library stuff for newly added things, but I usually end up fixing it all basic to my standard with Picard later.

There was a scene in Braveheart we had to skip when we watched it in middle school. I’m sure many convinced their families to rent Braveheart from Blockbuster for “homework” later. At this point, I don’t even remember what the scene was. Maybe there was a penis? Probably it was just butts or boobs. The corpses and violence were of little concern.

There was that one time we watched a particular version of Romeo and Juliet and the teacher was delightfully inept at skipping scenes. That girl was barely older than most of us.

0? Hardly. For a simple pop-culture counterpoint, V for Vendetta was written as an indictment of the UK’s slide into fascism. It was published in 1982. Fascism doesn’t happen overnight, it’s a slow boil erosion of rights and democracy that works in the shadows of government over decades to dissolve checks and balances from the inside and within the law.

I have cable. It doesn’t really work like that anymore. I used to be able to click through ALL the basic cable channels, catching a frame or two of every single channel, with zero delay between channels, all within like under a minute. These days every channel change or menu selection has a built-in delay of at least a second or two. Channel surfing just doesn’t vibe the same anymore. That form of TV is mostly if not entirely dead.

Plexamp has gotten better lately. It can save your progress on audiobooks now. It’s a per library feature, so I have one library of music (that does not save progress) and one for audiobooks (that does save progress). I used to have trouble with some audiobook formats (M4Bs needed to be converted (really just renamed) to mp4s, but that wasn’t necessary for the last few I loaded. Plex still has a little trouble with standards around multiple authors and different productions (and different readers) of a single book, but that’s more of an ID3 tag problem and is resolved if you’re consistent in normalizing the tags on your library. I’ve also used the syncing features a bunch for offline time (like on a plane or on long trips). For a large library, I see syncing offline files as a necessary feature.

And before the Jellyfin fanboys chime in, if Jellyfin could match these audio and syncing features (and be easier to setup for access outside my LAN and sharing with family), I jump ship in a heartbeat.

Somehow this reminds of a meme thread that just popped up wherein there are a lot of people proudly declaring their inability to study and claiming that the mere suggestion that one should read the manual as a first step to solving a problem is actually very offensive.

Yeah, dude’s just making shit up or regurgitating an ai hallucination. Orange tiger stripes aren’t blending in with orange dirt either. The herbivores that are a tiger’s prey are reg/green colorblind, which means the orange tiger blends in with the green grasses because the animals can’t distinguish between those colors well.

The rest of the comment isn’t much better. From claiming that a ghillie suit isn’t camouflage (it is). To claiming that a solid color is better camouflage than a camouflage with a decent disruptive pattern. There is good camo and bad camo out there, but Nuxcom_90penis doesn’t seem like the type to see subtly in anything. That’s why I’m up voting you and agreeing with your sentiment here instead of kicking that toxic hornet’s nest.

Obviously Miles Davis is the only answer, but only while watching Elevator to the Gallows because he composed and performed the soundtrack. Otherwise I just listen to the thing I’m watching.