We live in an era of absurd musical abundance. Streaming services put the (in)complete history of recorded music at our fingertips, with sophisticated recommendation algorithms that promise to tailor us the perfect playlist. More than 100,000 new tracks are uploaded every day to platforms like Spotify, Apple Music or SoundCloud. As the hip-hop innovator Kool Keith put it in a 2020 interview: ‘There’s so much new music out there that it’s just too much for the average antique person.’ It can be too much for any person, antique or otherwise. We’re saturated, inundated with the stuff. But the problem isn’t just abundance: it’s what we do with the musical riches at our fingertips.

  • @cwagner@beehaw.org
    link
    fedilink
    26 months ago

    Aww, what a teaser. I was getting excited to check them out, until the last 3 words. Vocals are essentially mandatory for me, even if they are only used as an additional instrument (like in Berio’s Sinfonia from 1969), I still require vocals.

    • rhythmisaprancer
      link
      fedilink
      26 months ago

      Ya I am definitely odd with that. My mom was a professional singer when I was a child, and so I grew up with her singing in the house. A lot haha. I don’t know if that is why. Also, many (not all) things on that label are older/reissues, so not something you could see live probably.